This exhibit has been judged by Jeanine Coupe-Ryding
Remnants and Remembrances
August 25 to October 20, 2017
Renaissance Court Gallery
Chicago Cultural Center
1st
place
Mary Corrado Warner, Games We Played
2nd
Place
Carol Kazwick, Voyager
Nancy Staszak, The Mystery of Other People’s Journeys
3rd
Place
Frabra Di Paolo, Good Weather for Everything
MaryAnn Gradisher, Midway Plaisance
Leslie Lenz, Yellow Boat in Woods
Honorable Mention
Laura Lein-Svencner, Flashback
Cynthia J. Lee, Data Transfer
Jerry Reimann, Remembering the Forgotten
LuEllen Giera, Surviving Grace II
Juror's Comments...
Juror's Comments...
Remnants and Remembrances
Chicago Cultural Center, 2017
Juror’s Observations
Making a collage means bringing scavenged
paper, cloth, photos, and various 2 and 3 dimensional ephemera together to form
a new composition. At the artist’s discretion the pieces are shifted and
considered just as placing paint on a canvas would be considered to add to a
work. Sometimes in collage, unlike painting, the individual elements are from
the time and place that collage is describing or commemorating. Paint alone
can’t do that. So both the items chosen and how they are arranged in a collage
can affect how we feel about the work.
The craft of collage lies in how
the pieces are pasted or attached to the surface; basically how the materials
are handled. The art of collage lies in the choices the artist makes regarding
the individual elements and composition and how they influence our feelings
about the whole piece. I thought of these things as I looked at the work in the
“Remnants and Remembrances” exhibition by the members of the Midwest Collage
Society at the Chicago Cultural Center. Interpretations of the title of the
exhibition spanned a variety of two and three dimensional media and approaches.
I looked for a balance between the
art and craft and how the compositions drew me in inviting consideration. Some
artists, such as Andrea Fox, MaryAnn Gradisher, Nancy Staszak and Joan Lucht used
photos and ephemera from a time period as homage. Meg Guttman created a
scrapbook of collaged photos, flowers and text to capture a spectrum of
personal and social situations and Margi Hafer used photographs, writing and found
text to direct the viewer to the specific person in her collage.
Some other artists, such as Mary
Corrado Warner, Jerry Reimann, Carol Kazwick and Carol Weber take an indirect
approach using three dimensional materials creating compelling assemblage/collages
that create a feeling nostalgia and recognition.
Mary Corrado Warner’s “Games We
Played” and Carol Kazwick’s “Voyager”
are three dimensional
collage/assemblages with innovative compositions. Game pieces come together in
a rhythmic zig zag and in “Voyager” stacked envelopes invite a peek at a
postcard, photo or letter from afar, suggesting a long journey. In Nancy
Staszak’s
“The Mystery of Other People’s
Journeys”, faces smile at us surrounded by pieces of patterned papers, a stamp
and bits of letters as though they are looking at us from afar through the
panes of a window. Fabra DiPaolo’s collage, “Good Weather for Everything” draws
a face over squares of printed papers creating a strong abstract composition. MaryAnn
Gradisher tears through an old newspaper to take us back to the Midway Plaisance
at the turn of the 20th century. The scene opens a depth in the
surface that seems to punch through the wall behind the collage. Lezlie Lenz
takes us on a relaxing get away to the lake in the woods with her collages
titled “Yellow Boat in the Woods” and “Northwoods Angel”.
The quality and variety of the work
by members of the Midwest Collage Society is, once again, very high. Spending
time at the show was a rewarding experience. Though 10 awards were given, there
could have been awards for other categories. There were a number of fine
collages that came close to receiving an award. I was glad to see the work of
Barb Arntzen, Sylvia Koch and Donna Johnston in the exhibition. Though they are
no longer living, however, their collages provide a wonderful memory of them
through their art.
Thank you for the opportunity,
Jeanine Coupe Ryding
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